News from ArtsJournal.com
“I am convinced that choreography is not only the best [art] form to buy a ticket for, it is also an orchestration of encounters, the setting up of encounters between different minds,” she said. “I hope we give audiences the possibility to enter the choreography themselves, but also to intellectually stimulate the publics we encounter, more than just satisfy them and try to do it very gently, not aggressively.”
“France has a vibrant film and television sector thanks to a system that requires television networks to hand over a proportion of their turnover to back domestic production, on top of a series of public grants and funds. The result is a diverse field of many small- to mid-size production companies, unlike in the United States, where studios and listed entertainment conglomerates dominate.”
“The Thorn Birds, which has never been out of print, has sold more than 30 million copies worldwide and been translated into more than 20 languages. In hardcover, it spent more than a year on the New York Times best-seller list; the paperback rights were sold at auction for $1.9 million, a record at the time.”
“The voices on podcasts and public radio are informed, interesting, gentle friends. They keep me company as they share important, entertaining, and sometimes tragic stories. But the timbre, accent, inflections, rhythm, metaphors, and references of these voices reflect class, region, ethnicity, gender, and other components of identity.”
“Plenty of amateur films have been shot using iPhones, but by all reports, this is the first movie at the Sundance Film Festival to be shot almost entirely on an Apple device. It was a decision that indie writer and director Sean Baker made to accommodate the film’s small budget. But you’d never guess the camera, to look at it.”
“If we are constantly debating what “good” or “quality” looks like, we’re wasting time we could be using honing our work to better deliver on the social impact we’ve all agreed is important. I’d love to work for an organization that clearly knows that the impact it wants to have is X–so we can focus on doing X.”
If moving to New York City is like dating the most popular kid in your high school only to discover “all the blemishes that aren’t visible when gazed upon from a distance,” then Buffalonians will tell you that moving to their city is like dating the girl next door who’s undergoing a She’s All That-style transformation.
Under the watch of the experimenter, the volunteer—dubbed “the teacher”—would read out strings of words to his partner, “the learner,” who was hooked up to an electric-shock machine in the other room. Each time the learner made a mistake in repeating the words, the teacher was to deliver a shock of increasing intensity, starting at 15 volts (labeled “slight shock” on the machine) and going all the way up to 450 volts (“Danger: severe shock”).
“Perhaps, fearful of losing the attention of their readers, novelists are borrowing the captivating force of music, feeding off its sensuousness in an effort to regain a lost immediacy. The lengthy musical passages in recent novels, including a few loving and climactic concert scenes, seem to strive for music’s Orphic power.”
“The provocative French comedian Dieudonné M’bala M’bala stood trial in criminal court on Wednesday over a comment he made lamenting that a prominent Jewish journalist did not die in ‘the gas chambers,’ prosecutors said. Mr. M’bala M’bala has become an emblem in France of the struggle between upholding the secular republic’s commitment to free speech while maintaining public safety and preventing hate crimes.”
“There’s a battle going on at the edge of the universe, but it’s getting fought right here on Earth. With roots stretching back as far as the ancient Greeks, in the eyes of champions on either side, this fight is a contest over nothing less than the future of science. It’s a conflict over the biggest cosmic questions humans can ask and the methods we use – or can use – to get answers for those questions.” It’s a conflict over … string theory.
Adam Gopnik: “The ruling deity of this form of panic and pensive regret is Lewis Carroll’s White Queen, from Through the Looking-Glass. The White Queen, in some Joseph Campbell realm of archetypes, is indeed surely a variant of Hans Christian Andersen’s Snow Queen, and so perhaps it’s no wonder that in Carroll’s rendering she governs the Kingdom of the Snow That Fell Before It Started Falling.”