News from ArtsJournal.com
“I think that we may be turning a corner away from what I think of as takedown culture. It all comes from cynicism, the feeling that the system is corrupt and that everything is rigged and nothing is what it seems. We all love a good critical catfight, but somehow, with these catfights and cynical demonizations becoming the way of mainstream media, I perceive the wider culture and the art world slowly trying to separate out and isolate this behavior for what it is: Headline-grabbing, grandstanding, gasbags, people scared of change, or afraid of going deeper.”
“The five songs that were cut before rehearsals include a tune called “Lady Liza,” sung by Higgins and his buddy Colonel Hugh Pickering; “Please Don’t Marry Me,” a lament for Higgins; and “Shy,” in which Eliza confesses she has feelings for her professor. The composers decided that wasn’t true to George Bernard Shaw’s original play, so they replaced it with “I Could Have Danced All Night,” where she expresses excitement rather than affection.”
“Only 8% of children and 6% of adolescents achieved the 30-minute recommendation for after-school moderate-to-vigorous exercise. In children, the type of dance really mattered. Hip-hop was the most active kind of dance, with 57% of class time being devoted to moderate-to-vigorous physical activity. Jazz took second place, followed by partnered class, tap, salsa and finally ballet, where 30% of class is spent in moderate-to-vigorous activity.”
Maria Abramović has crossed a line that even Jeff Koons and Damien Hirst are wary of. Someone was bound to do it eventually. She has not just taken art out of the gallery but into a realm of rock concert hysteria and teen adulation. To put it kindly, you can say her fans resemble the star-struck kids in old films of the Beatles. But what is the cultural price of mass intoxication? Is it a good thing?
“I’m tired of cultural pompousness passing as a form of intelligence and moral superiority, whether we’re talking about television, book, movie or music preferences. I record “Keeping Up with the Kardashians” while my boyfriend records “Nova”—does that make him a better person? Is that really what we want to pass down to the next generation—a way of one-upping ourselves over something that should be entertaining?”
Mr. Lundvall’s career in the recording industry encompassed more than half a century, with success across multiple genres. Blue Note had been an important jazz label for decades but had been dormant for years when he revived it under the umbrella of EMI Records in 1984, intent on celebrating its legacy while moving forward.
“A report Wednesday from the PEN American Center says translated versions of foreign books may be excised because of political sensitivities, like Taiwan, Tibet and the 1989 Tiananmen Square crackdown on democracy protesters. But references to sexually explicit material and gay and lesbian issues are also frowned upon.”
Sargent, 65, recently stepped down after his latest triumph: leading the team of Sage Gateshead in creating an internationally acclaimed new venue for music in northeast England. Previously Sargent worked for the BBC as concerts planning manager, including the work of the BBC Symphony Orchestra, and helped create the BBC Millennium Music Live project.
“I don’t fear the long novel as much as pine for good editors. A book can be any length, if the words earn their keep on the page. I rarely see the point in huge chunks of prose that don’t serve the story: writing has to be mesmerisingly good before that doesn’t feel self-indulgent to me. I also worry that we might be overlooking short novels.”