News from ArtsJournal.com
“Dryly urbane, Mr. Nichols had a gift for communicating with actors and a keen comic timing, which he honed early in his career as half of the popular sketch-comedy team Nichols and May. An almost ritual prize-winner, he was one of only a dozen or so people to have won an Oscar, a Tony, an Emmy and a Grammy.”
“The Internet age just isn’t that impressive. Technological advancements of the last century had a truly transformative effect over the previous industrial age. Ice farming was replaced by refrigeration, the horse and buggy by the automobile, burning of fossil fuels for energy by centralized electrical power production. These advancements were notable not just in what they achieved in themselves but how they affected society.”
“The distinction between a corporation and an algorithm is fading. Does that make an algorithm a person? Here we have this interesting confluence between two totally different worlds. We have the world of money and politics and the so-called conservative Supreme Court, with this other world of what we can call artificial intelligence, which is a movement within the technical culture to find an equivalence between computers and people.”
“A storm in a Wagnerian tea-cup (or more properly, a Sturm in a Gral)? Maybe it really is the case that Jonathan Meese – an installationist and performance artist who became notorious in Germany last year for his prosecution and subsequent acquittal for an act of public provocation by making the Nazi salute on stage – was just too ambitious in his set design, and that the costs would have taxed even Bayreuth’s largesse.”
“Billboard and Nielsen SoundScan, the agency that supplies its data, will start adding streams and downloads of tracks to the formula behind the Billboard 200, which, since 1956 has functioned as the music world’s weekly scorecard. It is the biggest change since 1991, when the magazine began using hard sales data from SoundScan, a revolutionary change in a music industry that had long based its charts on highly fudgeable surveys of record stores.”
“Former Marine Phil Klay took home the [award] for fiction, winning the prize for his debut short story collection Redeployment. … Journalist Evan Osnos won the National [award] in nonfiction for his impressively subtitled book, Age of Ambition: Chasing Fortune, Truth, and Faith in the New China.” Louise Gluck’s Faithful and Virtuous Night took the prize for poetry.
“A new Miami Beach arts center designed by Rem Koolhaas is to open in December 2015 … Called Faena Forum, the 50,000-square-foot institution … will serve as a public forum for the exploration of topics in the arts, sciences, technology, politics and urbanism. It will also encourage dialogue about Latin American cultural practices.”
“Westheimer knew how valuable the dancers’ expertise in balance, rhythm, control and sequencing might be to sufferers of Parkinson’s. … Two members of the Mark Morris Dance Group, with a composer and pianist, began giving free monthly classes for the [Brooklyn Parkinson Group]. The sessions have since developed into an extensive programme.”
A report from early this year argues that performing arts “are inherently social arts and provide a necessary opportunity to develop the skills of socialisation and communication required by a healthy democracy.” Maddy Costa writes about how she’s exploring that idea in her London theatre festival, Dialogue.
“In my day, anyone who is vaguely educated – in other words, they know where Pakistan was … or that they had a vague idea which century Henry VIII [lived in] – would give you the opportunity for all sorts of humor. … The general feeling is that anything that doesn’t affect you personally is not worth knowing about. … It’s kind of like, ‘Geography? Well, I don’t need to know about that.'”